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Attributes of Everybody Thought We Were Crazy PDF
“A landmark and long-overdue cultural history.” —Vogue. Everybody Thought We Were Crazy PDF
The stylish, wild story of the marriage of Dennis Hopper and Brooke Hayward—a tale of love, art, Hollywood, and heartbreak
“Those years in the sixties when I was married to Dennis were the most wonderful and awful of my life.” —Brooke Hayward
Los Angeles in the 1960s: riots in Watts and on the Sunset Strip, wild weekends in Malibu, late nights at The Daisy discotheque, openings at the Ferus Gallery, and the convergence of pop art, rock and roll, and the New Hollywood. At the center of it all, one inspired, improbable, and highly combustible couple—Dennis Hopper and Brooke Hayward—lived out the emblematic love story of ’60s L.A.
The home these two glamorous young actors created for themselves and their family at 1712 North Crescent Heights Boulevard in the Hollywood Hills became the era’s unofficial living room, a kaleidoscopic realm—“furnished like an amusement park,” Andy Warhol said—that made an impact on anyone who ever stepped into it. Hopper and Hayward, vanguard collectors of contemporary art, packed the place with pop masterpieces by the likes of Roy Lichtenstein, Ed Ruscha, and Warhol, and welcomed a who’s who of visitors, from Jane Fonda to Jasper Johns, Joan Didion to Tina Turner, Hells Angels to Black Panthers. In this house, everything that defined the 1960s went down: the fun, the decadence, the radical politics, and, ultimately, the danger and instability that Hopper explored in the project that made his career, became the cinematic symbol of the period, and blew their union apart—Easy Rider.
Everybody Thought We Were Crazy is at once a fascinating account of the Hopper and Hayward union and a deeply researched, panoramic cultural history. It’s the intimate saga of one couple whose own rise and fall—from youthful creative flowering to disorder and chaos—mirrors the very shape of the decade.
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The Writers
Mark Rozzo is a contributing editor at Vanity Fair . He has also written for the Los Angeles Times, the New Yorker, the New York Times, Esquire, Vogue, the Wall Street Journal, the Oxford American, the Washington Post, and many others. He teaches nonfiction writing at Columbia University.
Proportions of Everybody Thought We Were Crazy PDF
- Publisher : Ecco (May 3, 2022)
Language : English
Hardcover : 464 pages
International Standard Book Number-10 : 0062939971
International Standard Book Number-13 : 978-0062939975
Item Weight : 1.46 pounds
Dimensions : 6 x 1.41 x 9 inches
Best Sellers Rank: #1,182 in Books
Reviews From Customers
*TUDOR^QUEEN*
Deep dive into Hopper’s artistic spectrum in 60s LA
May 3, 2022
I chose to read this book because I was intrigued by Dennis Hopper. This actor seemed the “dangerous type” and a kind of renegade. Strangely enough, the only movie I ever saw him in was from 1986 called “River’s Edge” co-starring Crispin Glover, Ione Skye and Keanu Reeves. It was the kind of obscure, off the beaten path film that always seems to attract me. Dennis Hopper was scary in the role and I got the feeling it wasn’t all an act, but an integral part of him. I also knew he had been married for only 8 days to Mamas and the Pappas band member and tv actress Michelle Phillips. I never knew of the actress Brooke Hayward who he was married to in the sixties. She was the daughter of a famous actress and her dad was a Hollywood and Broadway theatrical agent and producer. Apparently, she wrote a very successful memoir decades ago about her famous but dysfunctional family called “Haywire”.
When these two married in the early sixties they were the vortex of that special thing that was happening out in LA involving art and music. They bought a house that famous musicians, artists and actors congregated at to experience this time of enlightenment. When Brooke gifted Dennis a Nikon camera it was a pivotal moment in Dennis’s artistic development. From that point on, he passionately documented very important moments during this time such as concert festivals, protests, and other “happenings”. Later on, these photos were published in books and shown in art galleries and museums. Dennis took an obsessive interest in abstract and pop art, a passion which Brooke shared. They were among the first to discover the talents of Andy Warhol in NYC, brought him to LA and purchased that iconic Campbell’s Soup painting before anyone else took notice. Later, Dennis pitched the idea for what became the movie “Easy Rider”, participating in the writing of the screenplay and directing the film.
The book dives very deep into Dennis Hopper’s artistic spectrum and transformation, depicting a talented, intense and passionate soul. People like this can become difficult to live with, especially when violent outbursts and abuse of alcohol and substances occur. All this happened and the sizzling comet of this marriage eventually burned out- but glowing embers of love remained.
As I read this book I became overwhelmed by the sheer girth and breadth of research involving Dennis Hopper’s cultural and artistic realm, and was a bit relieved when the advance reader copy surprisingly ended (in a beautiful way) at the 60% mark. You see, there was such an extensive bibliography and end notes that it took up the last 40% of the book! This was an excellent time capsule of a Hollywood marriage of soul mates during the sixties, covering a very interesting and important time in art, movies, culture and music.
Thank you to the publisher Ecco who provided an advance reader copy via NetGalley.
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1
ANNIEM
Beautifully Captures Dennis Hopper and Brooke Hayward and the 1960’s art and film scene
May 4, 2022
This book exceeded my expectations – what started out as a biography of Dennis Hopper and Brooke Hayward evolved into so much more. I had read Brooke’s memoir “Haywire” about her childhood (mother – famous actress, father – famous producer). This book not only gives us additional insight into the backgrounds of her life, but also of Dennis Hopper. We also learn a lot about the dynamics in their marriage – and to call it a roller coaster ride is not doing it justice. But the unanticipated part of the book for me was the way Mark Rozzo was able to really capture the zeitgeist of the 1960’s art world in Los Angeles, the Bay Area and NYC. I felt I was there at the art openings and parties because of the vivid, detailed descriptions. Why this book exceeded my expectations is not only did we get a really good sense of the personalities of Dennis and Brooke (and their families) but also the context in which they were living and the creative forces surrounding their lives. This was a book I could not put down — I could have read more. If you are a fan of art and film from the 1960’s, of Dennis Hopper and Brooke Hayward and a fan of old Hollywood — this book is for you.
Thank you to the publisher Ecco and Netgalley for the preview copy.
Michael Burke
Everybody Was Wrong, Everybody Was Right
May 3, 2022
Dennis Hopper projected the aura of a crazed madman and often played up on that reputation in his film roles. There was the frenzied photojournalist in “Apocalypse Now”, the deranged bomb builder in “Speed”, the totally bizarre psycho in “Blue Velvet”… just to name a few. That was really all I knew about him, other than he had bonded as a young actor with James Dean. “Everybody Thought We Were Crazy” concentrates on his life in the ’60’s and the relationship he had with his wife, Brooke Hayward.
The book shows that, yes, Dennis Hopper was out of control at times. It also reveals a surprisingly talented photographer and art aficionado. Often you will hear about a celebrity who paints or dabbles in some art and you wonder if this is exaggerating anything more than a hobby. Dennis created some remarkable photography and had a number of showings. He and Brooke were also early supporters of Andy Warhol and were instrumental in promoting the burgeoning Los Angeles art scene of the ’60’s. The private art collection presented at their house was considered an avant-garde revelation.
“Everybody Thought We Were Crazy” is about the two of them. Brooke is the daughter of Hollywood celebrity– her mother was superstar actress Margaret Sullavan– and we get an account of her growing up in privileged society, hanging out with the Fondas, and her acting career, a career cut short to accommodate Dennis. Writer and friend Jill Schary referred to the couple as “the bohemian version of Liz Taylor and Richard Burton.” Brooke led an interesting life and has documented it herself in her autobiography “Haywire,” but her story is necessarily overshadowed here by the wild and unpredictable nature of her husband.
Dennis shared a kindred spirit in Peter Fonda until the craziness hit a peak during the production of “Easy Rider.” Dennis directed what would become a symbol of counter-culture spirit and while the success of the project was a major triumph, it also found a way to tear him apart as he fought Fonda and Hollywood writer Terry Southern over whose contributions should have been recognized. The marriage to Brooke had dissolved during the filming of “Easy Rider” and Dennis tumbled into a deep void of substance abuse and psychological trauma. It took years for him to reorder his life and revitalize his career.
Dennis Hopper and Brooke Hayward led fascinating fast lane Hollywood lives. There are some great TMZ style stories throughout the book. The major take-away from Mark Rozzo’s book is there is much more to these two than what we would expect. They were much more than merely art voyeurs splashing money around to earn some culture cred.
I received an advance review copy for free, and I am leaving this review voluntarily.
The man is clear in his mind, but his soul is mad. – Hopper’s character in “Apocalypse Now”
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